BACCHIC - vertaling naar arabisch
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BACCHIC - vertaling naar arabisch

ANCIENT GREEK GOD OF WINEMAKING AND WINE
Liknites; Lyaeus; Dionysos; Dyonisos; Dionysus Dendrites; Dionysos Dendrites; Dyonysus; Bassareus; Bacchic; Di-wo-ni-so-jo; Dionysus,; Bacchic art; Dionysis; Bacchic Art; Dionysiac cult; Diónysos; Bacchus (mythology); Father Bacchus; Bacchus (god); Acratophorus; Aegobolus; Lyoeus; Bachus; Διόνυσος; Διώνυσος; God of Wine; Bacchus; Layios; Bacchino; Morychus; Lyæus
  • Bacchus and Ampelos ". Pre-1865 image of a Roman statue in the Galleria degli Uffizi, Florence.
  • Mosaic of Dionysus, 4th century.
  • ''Bacchus and Ariadne'' (1822) by [[Antoine-Jean Gros]]
  • ''Bacchus'' - [[Simeon Solomon]] (1867)
  • Roman fresco]] depicting Bacchus, [[Boscoreale]], c. 30 BC
  • ''Bacchus and Ampelos'' by [[Francesco Righetti]] (1782)
  • [[Badakshan]] [[patera]], "Triumph of Bacchus" (first–fourth century).<ref>The Diffusion of Classical Art in Antiquity, John Boardman, Princeton University Press 1993, p.96</ref> [[British Museum]].
  • Colossal statue of [[Antinous]] as Dionysus.
  • ''The Triumph of Bacchus'' by [[Cornelis de Vos]]
  • Pentheus torn apart by Agave and Ino. Attic red-figure ''[[lekanis]]'' (cosmetics bowl) lid, c. 450–425 BC (Louvre)
  • region]] of [[Greece]], late second century BC, [[Archaeological Museum of Delos]]
  • Ancient Roman relief in the Museo Archeologico (Naples) depicting Dionysus holding a thyrsus and receiving a libation, wearing an ivy wreath, and attended by a panther
  • Palazzo Massimo]] Rome, 4th century AD
  • A [[mosaic]] from [[Antioch]] of Dionysos, 2nd century AD
  • Dionysus extending a drinking cup ''([[kantharos]])'' (late sixth century BC)
  • panther]]'s back; on the left, a [[papposilenus]] holding a tambourine. Side A from a red-figure bell-shaped crater, c. 370 BC.
  • The over-life size second-century AD [[Ludovisi Dionysus]], with panther, satyr and grapes on a vine, [[Palazzo Altemps]], Rome
  • Marble bust of youthful Dionysus. Knossos, second century AD. [[Archaeology museum]] of [[Heraklion]].
  • access-date=2017-03-06}}</ref>
  • Antinoöpolis]], fifth–seventh century ([[Metropolitan Museum of Art]])
  • ''Bacchus, Ceres and Amor'', (1595–1605). Oil on canvas by [[Hans von Aachen]].
  • alt=Hendrik Goltzius, 1600–03, ''Sine Cerere et Libero friget Venus'' (Without Ceres and Bacchus, Venus Would Freeze). c. 1600-1603, ink on canvas, Philadelphia Museum of Art
  • ''[[Hermes and the Infant Dionysus]]'' by [[Praxiteles]] ([[Archaeological Museum of Olympia]])
  • Jupiter et Sémélé]]''. Oil on canvas by [[Gustave Moreau]], 1895.
  • Pinax of Persephone and Hades on the throne, from the holy shrine of Persephone at Locri.
  • ''[[The Triumph of Bacchus]]'', [[Diego Velázquez]], c. 1629
  • Lycurgus]] trapped by the vine, on the [[Lycurgus Cup]]
  • Terracotta head, 4-5th century, [[Gandhara]] (modern Pakistan)
  • Detail of the bronze Ponte Garibaldi Bacchus, Palazzo Massimo, Rome
  • website=The British Museum}}</ref>
  • Marble sarcophagus with the Triumph of Dionysos, who is riding a panther, with attendants, the Four Seasons, Tellus and Ocean, c. 220-230
  • Bacchus]]'' by [[Michelangelo]] (1497)
  • Epiphany of Dionysus [[mosaic]], from the Villa of Dionysus (second century AD) in [[Dion, Greece]], Archeological Museum of Dion
  • jstor=4629244 }}</ref>
  • Roman marble relief (first century AD) from [[Naukratis]] showing the Greek god Dionysus, snake-bodied and wearing an [[Egypt]]ian crown.
  • Bardo National Museum]])
  • Bacchus by [[Paulus Bor]]
  • Wall protome of a bearded Dionysus. [[Boeotia]], early fourth century BC.
  • title= Sarcophagus Depicting the Birth of Dionysus}}</ref>
  • The education of Dionysus. Fresco, now in the [[Museo Nazionale Romano]], Rome, c. 20 AD
  • ''Sacrifice to Bacchus''. Oil on canvas by [[Massimo Stanzione]], c. 1634
  • [[Satyr]] giving a [[grapevine]] to Bacchus as a child; [[cameo glass]], first half of the first century AD; from Italy
  • ''Bacchus with leopard'' (1878) by [[Johann Wilhelm Schütze]]
  • the hair]] of the figures and the branches; from an [[Asia Minor]] workshop, 170–180 AD, [[National Archaeological Museum, Athens]], Greece
  • A sculpted phallus at the entrance of the temple of Dionysus in [[Delos]], Greece
  • Marble head of Dionysus, 2nd century AD, [[Capitoline Museums]], Rome
  • The Conquest of [[India]] by Dionysus at the archaeological museum of [[Sétif]], c. 200–300 AD
  • National Gallery]] in London
  • Painted wood panel depicting Serapis, who was considered the same god as Osiris, Hades, and Dionysus in [[Late Antiquity]]. Second century AD.
  • Dionysus with long torch sitting on a throne, with [[Helios]], [[Aphrodite]] and other gods. Antique fresco from [[Pompeii]].
  • Pluto]] with adorant. Fourth century BC. From [[Karystos]], Archaeological museum of [[Chalkida]].

BACCHIC         

الصفة

باخوسي; عربيد

bacchic         
صِفَة : عِرْبيد . مُعَرْبد
Bacchic         
باخوسى عربدى ، سكرى

Definitie

Bacchic
·adj ·Alt. of Bacchical.

Wikipedia

Dionysus

In ancient Greek religion and myth, Dionysus (; Ancient Greek: Διόνυσος Dionysos) is the god of the grape-harvest, wine making, orchards and fruit, vegetation, fertility, festivity, insanity, ritual madness, religious ecstasy, and theatre. The Romans called him Bacchus ( or ; Ancient Greek: Βάκχος Bacchos) for a frenzy he is said to induce called baccheia. As Dionysus Eleutherios ("the liberator"), his wine, music, and ecstatic dance free his followers from self-conscious fear and care, and subvert the oppressive restraints of the powerful. His thyrsus, a fennel-stem sceptre, sometimes wound with ivy and dripping with honey, is both a beneficent wand and a weapon used to destroy those who oppose his cult and the freedoms he represents. Those who partake of his mysteries are believed to become possessed and empowered by the god himself.

His origins are uncertain, and his cults took many forms; some are described by ancient sources as Thracian, others as Greek. In Orphic religion, he was variously a son of Zeus and Persephone; a chthonic or underworld aspect of Zeus; or the twice-born son of Zeus and the mortal Semele. The Eleusinian Mysteries identify him with Iacchus, the son or husband of Demeter. Most accounts say he was born in Thrace, traveled abroad, and arrived in Greece as a foreigner. His attribute of "foreignness" as an arriving outsider-god may be inherent and essential to his cults, as he is a god of epiphany, sometimes called "the god that comes".

Wine was a religious focus in the cult of Dionysus and was his earthly incarnation. Wine could ease suffering, bring joy, and inspire divine madness. Festivals of Dionysus included the performance of sacred dramas enacting his myths, the initial driving force behind the development of theatre in Western culture. The cult of Dionysus is also a "cult of the souls"; his maenads feed the dead through blood-offerings, and he acts as a divine communicant between the living and the dead. He is sometimes categorised as a dying-and-rising god.

Romans identified Bacchus with their own Liber Pater, the "Free Father" of the Liberalia festival, patron of viniculture, wine and male fertility, and guardian of the traditions, rituals and freedoms attached to coming of age and citizenship, but the Roman state treated independent, popular festivals of Bacchus (Bacchanalia) as subversive, partly because their free mixing of classes and genders transgressed traditional social and moral constraints. Celebration of the Bacchanalia was made a capital offence, except in the toned-down forms and greatly diminished congregations approved and supervised by the State. Festivals of Bacchus were merged with those of Liber and Dionysus.